Each month this year members of Global Piecers are sharing a favourite technique as a tutorial, with the aim of creating a mini sampler quilt or table topper with blocks of all the different techniques. I'm sharing my tutorial here, which is on wavy seams.
I've posted about wavy seams before, when I did a workshop with Jenni Dobson in 2009 and when I did a workshop with Magie Relph in 2010. Have a look at those posts:
wavy seams tutorial
wavy four patch tutorial
I have also found these interesting posts about wavy seams which give ideas about using them in various ways:
http://www.redpepperquilts.com/2014/05/tutorial-cutting-and-sewing-free-hand-curves.html
http://www.pinkchalkstudio.com/blog/tutorials/tutorial-wavy-seams/
and finally a youtube tutorial which shows how to make a block with wavy seams.
https://www.youtube.com/watch?v=8q0lI3-cyXY
The idea of my tutorial is that you learn this technique and then use it in a way that suits you and your project. You might decide to make a wavy seams block, maybe the wavy four patch that I did with Magie Relph. I also thought it might be fun to use wavy seams to piece small pieces of fabric and create the border for your finished project, or the backing. The possibilities are limitless, just have fun.
I also promised to share a pattern for a foundation pieced pineapple block. If you had fun with Sal's tutorial on foundation(paper) piecing last month then you will enjoy creating a pineapple block. Here's a traditional way of doing it:
http://www.quilterscache.com/P/Pineapple2Block.html
While looking for this pattern I discovered another site which I am including here because although their pattern is for a smaller block (6" or 8") they do include lots of different ways of using the pineapple block to create stunning designs.
http://www.generations-quilt-patterns.com/pineapple-quilt-pattern.html
And if you do fancy pineapple but not foundation piecing, try this method by Karin Hellaby:
http://piecenpeace.blogspot.co.uk/2010/08/karin-hellaby-creates-pineapple-blocks.html
This is the first pineapple block I made, I used the pattern in Lynne Edwards' sampler book. I'm looking forward to seeing what you all do with your wavy seams and whether you tackle a pineapple. My tip for the pineapple block is to check the positioning of each piece of fabric before you stitch it, it is easy to end up with wonky pieces and gaps in your seams - hold the work up to the light to position the piece of fabric you are adding. My tip for the wavy seams is to abandon the ruler and even the pins if you're confident enough, and have loads of fun. Happy stitching Global Piecers.
Showing posts with label wavy seams. Show all posts
Showing posts with label wavy seams. Show all posts
Wednesday, 17 February 2016
Saturday, 24 July 2010
Friday Night Sew-In: Saturday Morning Report, July
I had quite a varied Friday Night Sew-In last night, flitting about and doing lots of different stitch-related things.
Firstly I finished this sashiko project which you can read more about at Sashiko Started It. It's an online tutorial from Susan Fletcher at Sashiko Stitchers and has been great fun.
I then put my needle down and spent an hour or sew catching up with all your wonderful quilty blogs. I love reading what you are all doing, both quilt-wise and in other areas of your lives. I find such inspiration and support from fellow bloggers.
Back to the fabric and I worked on my 'Blush' wavy four-patch for a while and then made three fabric postcards. There will be photos soon.
I was very good on the nice things to eat front. As it's so warm and summery here I resisted the chocolately things and snacked on a bowl of gorgeous dark red cherries from Kent, delicious.
This morning I discovered I am a winner in Abbey Lane Quilts' gorgeous giveaway so I'm doing a happy floral dance.
Thanks Heidi and Bobbi for hosting another great FNSI. Looking forward to seeing what you all got up to.
Thursday, 8 July 2010
Wavy Four Patch Tutorial
At Magie Relph's workshop on 4th June we looked at various types of wiggly blocks that she had created in addition to the nine-patch we were to be working on. Here are some of Magie's wavy four-patches:
In these first blocks a scrappy look has been created by using a plain fabric and a variety of contrasting fabrics.
In this example Magie has used a contrast in colour to show off the design, and has also made her cuts diagonally to create an extra tiddly version of Drunkard's Path.
In this block, my favourite, Magie has used only one contrasting fabric to three pieces of the plain fabric and arranged the patches to create a variation on a pinwheel.
Finally here's Magie's totally wayward 25-patch showing a contrast of both colour and fabric design. The possibilities are endless and such fun.
Several people have kindly asked me to share a wavy-patch tutorial and so, all credit to Magie Relph of course, here comes my third tutorial (the first was on wavy seams which might be helpful with this project and the second was my Christmas decoration tutorial ).
Firstly we need to get our fabrics together so here are a few guidelines, whether you're buying new or raiding your stash.
Fabric Choices
It is really important to choose fabrics that contrast well.
You could have a colour contrast, like my red batik and Japanese print nine-patch version,
or a design contrast - maybe a plain and a stripe for example. What you don't want is two similar fabrics, two spriggy, floral prints will absorb the wavy edges of the fabric pieces and just look like a wild cottage garden - very nice but not what we're trying to achieve here!
You then need to decide on the balance of fabrics.
Your four patch can be made up of two fabrics in a 2+2 design or in a 1+3 design, like the blue batik example above or your could have a plain fabric and a variety of contrasting fabrics to create a "scrappy" look, like the first sample above.
You could draw some squares and have fun with the colouring pencils
or, my preferred "design method" is to rip some pages out of a colour supplement or magazine and use them as "fabric" to try out some ideas.
I thought it would be a lovely idea to use a charm pack to create an interesting, but simple, four-patch design and that it would show off the fabrics beautifully and, as fortune would have it, I happened to have a £10 loyalty voucher for my LQS, Sew Creative at Wroxham Barns. I wanted something a little different (for me) and chose a charm pack in Moda's Blush design by Basic Grey, all gorgeous soft pinks and turquoises with some lovely brown and rust accents. I also bought some Boutique by Chez Moi for Moda to go with it.
Equipment
I hope I'm making myself clear. Let's get started, a picture is worth a thousand words.
I'm going to do all the blocks in this arrangement and then join them together without sashing, I'll post a picture when it's done and in the meantime I hope you'll try this fun way of piecing and have a break from your ruler.
In these first blocks a scrappy look has been created by using a plain fabric and a variety of contrasting fabrics.
In this example Magie has used a contrast in colour to show off the design, and has also made her cuts diagonally to create an extra tiddly version of Drunkard's Path.
In this block, my favourite, Magie has used only one contrasting fabric to three pieces of the plain fabric and arranged the patches to create a variation on a pinwheel.
Finally here's Magie's totally wayward 25-patch showing a contrast of both colour and fabric design. The possibilities are endless and such fun.
Several people have kindly asked me to share a wavy-patch tutorial and so, all credit to Magie Relph of course, here comes my third tutorial (the first was on wavy seams which might be helpful with this project and the second was my Christmas decoration tutorial ).
WAVY FOUR-PATCH TUTORIAL
Firstly we need to get our fabrics together so here are a few guidelines, whether you're buying new or raiding your stash.
Fabric Choices
It is really important to choose fabrics that contrast well.
You could have a colour contrast, like my red batik and Japanese print nine-patch version,
or a design contrast - maybe a plain and a stripe for example. What you don't want is two similar fabrics, two spriggy, floral prints will absorb the wavy edges of the fabric pieces and just look like a wild cottage garden - very nice but not what we're trying to achieve here!
You then need to decide on the balance of fabrics.
Your four patch can be made up of two fabrics in a 2+2 design or in a 1+3 design, like the blue batik example above or your could have a plain fabric and a variety of contrasting fabrics to create a "scrappy" look, like the first sample above.
You could draw some squares and have fun with the colouring pencils
or, my preferred "design method" is to rip some pages out of a colour supplement or magazine and use them as "fabric" to try out some ideas.
I thought it would be a lovely idea to use a charm pack to create an interesting, but simple, four-patch design and that it would show off the fabrics beautifully and, as fortune would have it, I happened to have a £10 loyalty voucher for my LQS, Sew Creative at Wroxham Barns. I wanted something a little different (for me) and chose a charm pack in Moda's Blush design by Basic Grey, all gorgeous soft pinks and turquoises with some lovely brown and rust accents. I also bought some Boutique by Chez Moi for Moda to go with it.
- I have decided to try a 1+3 design which means I will need one 5" square from the charm pack plus three 5" squares cut from my contrasting fabric, in my case the Boutique.
- If you go for 2+2 you will need two 5" squares of each fabric to start with.
- If you are going for scrappy you will need two plain 5" squares and two patterned 5" squares.
Equipment
- A cutting board
- A very sharp rotary cutter - you need to have a new blade to ensure the fabric cuts smoothly, especially for the second cut when you go through a stitched seam.
I hope I'm making myself clear. Let's get started, a picture is worth a thousand words.
- Stack your four approximately 5" squares all right side up.
- Use a sharp rotary cutter to cut through all four layers in a gentle curve from top to bottom. This cut should be approximately across the middle of the squares.
- Pair your half squares, matching the curves.
- Sew each pair together, right sides together, gently matching the curve as you go. A seam a little less than 1/4" works best. I don't find it necessary to use pins on short seams like these but try not to pull the fabric, go one stitch at a time if necessary to match the curve perfectly. I match the beginning of the seam and then hold the fabric with one piece in each hand, between my thumb and index finger to match it as I sew. With a little practising this works well.
- Press the seam to the side it wants to go. If one fabric is much lighter and you need to press to the darker side, a little steam is helpful.
- Pile your four new pieces right sides up and matching the seams and then cut them in half again, with a similar gentle curve to last time, approximately in the middle of the square.
- You then lay out your new pieces and match the curves again. Stitching the curved seams as before (and not worrying about matching the joins, they won't match anyway). The more observant among you will notice the threads, stitch holes and folds on these pieces. I paired them incorrectly, stitched them beautifully, pressed them...and then when I came to take the photo realised I'd got it wrong, oops!
- Then make sure you layout is as you want it and stitch the blocks together first in pairs and then into four. You will need to fit them together comfortably but be aware that they won't match up as some curved seams take up more fabric than others. It will all come out in the end ;)
I'm going to do all the blocks in this arrangement and then join them together without sashing, I'll post a picture when it's done and in the meantime I hope you'll try this fun way of piecing and have a break from your ruler.
Saturday, 19 June 2010
Friday Night Sew-In: Saturday Morning Report, June
A very quick report before I dash off to catch a train and see the Quilts 1700 - 2010 Exhibition at the VandA, my ticket is for 11 a.m.
I had a productive Friday Night Sew-In even though some of it was actually a Sew-Out.
1. My quilting on the surprise quilt for July is now all unpicked and I'm ready to have another go.
2. I cut a pile of 5" squares for a wavy four-patch quilt that will feature in a tutorial very soon.
3. I shortened a maxi summer dress by 4" (I'm obviously less maxi than some girls - in a vertical direction anyway). This was a nightmare, the lining is stretchy and the outer layer is flimsy chiffon, but it's done. Bring on the summer sunshine!
4. I ate some very delicious chocolate from Venezuela.
I hope you all had a wonderful sew-in, I'll be back soon with a report on Quilts 1700 - 2010.
I had a productive Friday Night Sew-In even though some of it was actually a Sew-Out.
1. My quilting on the surprise quilt for July is now all unpicked and I'm ready to have another go.
2. I cut a pile of 5" squares for a wavy four-patch quilt that will feature in a tutorial very soon.
3. I shortened a maxi summer dress by 4" (I'm obviously less maxi than some girls - in a vertical direction anyway). This was a nightmare, the lining is stretchy and the outer layer is flimsy chiffon, but it's done. Bring on the summer sunshine!
4. I ate some very delicious chocolate from Venezuela.
I hope you all had a wonderful sew-in, I'll be back soon with a report on Quilts 1700 - 2010.
Labels:
four patch,
Friday Night Sew-In,
quilt exhibition,
tutorial,
V and A,
wavy seams
Thursday, 22 October 2009
Quilt In A Day
I made this farmyard quilt for my elder grandson using wavy seams as explained in my tutorial (my first blog tutorial!!) posted before this post.
Wavy Seams Tutorial
This is a little tutorial for sewing wavy seams, a technique taught to me at Dayspring Quilters by Jenni Dobson and all the credit for the written content of this post is due to her, the photographs are mine and the "I" comments are me.
Start by cutting fabric in strips - between 3" and 5" is effective and gives you room for seams even with quite a wide curve.
You now have two pairs of fabric strips: the top strip from the right with the bottom strip from the left and vice versa. Pair them with their right sides together.
You will need to ease the edges to match. Some people prefer to pin first, others match as they sew. I find it better to pin as I tend to panic if I'm trying to match curving seams as I machine! You don't need to clip the curves at this stage but you might need to clip a little once the seam is machined if it will not lay flat. Jenni's advice was don't clip unless necessary.
This is how it will sit in the quilt I'm making today:
Start by cutting fabric in strips - between 3" and 5" is effective and gives you room for seams even with quite a wide curve.
Select two strips of contrasting fabrics, iron them and place them one on top of the other, both right side up. If they are not the same width then put the widest strip at the bottom.
Cut a gentle curve along the length of the fabric pieces. I find it easiest to use a rotary cutter on a cutting board but it can be done with scissors. Don't go too close to the edge of the fabric and don't make the curves too steep.You now have two pairs of fabric strips: the top strip from the right with the bottom strip from the left and vice versa. Pair them with their right sides together.
You will need to ease the edges to match. Some people prefer to pin first, others match as they sew. I find it better to pin as I tend to panic if I'm trying to match curving seams as I machine! You don't need to clip the curves at this stage but you might need to clip a little once the seam is machined if it will not lay flat. Jenni's advice was don't clip unless necessary.
Once the seam is machined, open it out and press carefully, clipping as required, you have a wavy seam! (And crikey, what a state my cutting board is in!!)
Once wavy seams are mastered there is no end to their use - what about a simple nine-patch with wavy seams, or what about wavy log cabin?
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